Because the ultimate vibrato consists of five to seven waves or oscillations per second, each oscillation requires a half-step. Anything wider (like a whole step), sounds more like a warble or tremolo which sounds like an aged and labored voice.
Listening to singers that Brett has trained like Keith Urban, Miley Cyrus and Taylor Swift, You hear a common thread in all of their voices: a well-mastered and controlled vibrato.
Good vibrato beautifies the voice and even sets the mixed voice free from excess tension. Bad vibrato kills musical careers. In this course, the singer learns to control the rate and depth of oscillation for each musical style.
Comprehensive Guide to Building a Powerful and Controlled Vibrato
Many pop singers are under the assumption that vibrato is for classical music, or for Broadway or oldies singers. But, this is completely untrue! In fact, without a controlled vibrato, you open yourself up to vocal fatigue and injury.
When you can master different types of vibrato like the “wobbly” or “machine gun” vibrato, you open up your voice to explore different genres and styles that you otherwise have been unable to sing. Vibrato is a necessary coordination that you need if you want to sing with a good tone and style.
Here’s What You’ll Learn:
- how to develop an ear to differentiate a truly good and bad vibrato
- the 3 mechanisms that actually build, speed up, control, or slow down vibrato at will
- when and why you should use vibrato in various words and phrases of your music
- why vibrato can sometimes be intrusive to the ear of the listener
- how to not use vibrato when necessary!
- how the mastery of vibrato instantly makes you recognizable as a great singer
- and much more…
