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Francois - Module 3: Sound Design With Arturia Mini V3

Francois - Module 3: Sound Design With Arturia Mini V3Learn Synthesis & ‘Analog’ Sound Design with Arturia Mini V3 (Beginner & Intermediate Level) + Preset Pa...
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Francois - Module 3: Sound Design With Arturia Mini V3

Francois - Module 3: Sound Design With Arturia Mini V3

checkboxLearn Synthesis & ‘Analog’ Sound Design with Arturia Mini V3 (Beginner & Intermediate Level) + Preset Pack included (40+ Presets)
checkboxRequired Software: Arturia Mini V3 Vst (3.0 or higher)

What you will learn from this course:


  • Interface and signal flow
  • Basics of synthesis
  • Waveforms
  • Noise generators
  • Filtering / Filter types
  • Effects
  • Routing
  • Voicing
  • LFO’s
  • Modulation
  • Envelope shaping
  • Creating pitch effects, LFO shapes and noise techniques
  • Layering
  • Creating state of the art sound designs
  • Bass sound design
  • Pad sound design
  • Lead sound design
  • Creative sound design
  • Fx sound design
  • Advanced sound design

Course Curriculum

Part 1: Basics & Setup

Downloads

Part 2: The Classic Mode of Arturia Mini V3

Overview, Menu and Loading Sounds / Presets (7:30)
Oscillator Bank (10:20)
Mixer Section (4:33)
Preview
Envelopes: The ADSR Shape (5:02)
Filter Section (9:45)
Amplifier Section (2:32)
Polyphony and Play Modes (8:09)
Bend and Modulation Wheels (6:17)

Part 3: The Extended Mode

Arpeggiator (4:55)
LFO (4:33)
Motion Recorder (5:01)
Modulation Matrix (2:46)
Delay (3:07)
Chorus (3:41)
Vocal Filter (4:56)

Part 4: Sound Design Basics

Pad Sound Design “Innerbloom” (7:45)
Flute Sound (8:15)
Analog Lead (7:27)
Analog Bass (6:02)
Preview
Effect Sound Design “White Noise” (5:51)
Groove Bass (4:30)
Pluck Square Bass (8:24)
Deepness Bass (4:56)

Part 5: More Sound Design Sessions

Designing a “Zulu” type Lead Sound (5:59)
Analog LFO Bass / Lead (9:46)
Transparent Zulu Pluck Sound (8:06)
Deep “Tom” Bass (5:51)
Fifths Lead Sound (7:04)

Bonus Part I

Preview
Bodzin / Rodriguez Style Moving Lead Sound (15:41)
How A Compressor Works (15:37)

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